stories in art - contemporary
26th Sept – 26th Nov 2022
Contemporary Languages in ARt
The divide/ gap in the Contemporary Art Practices by the Present day Contemporary Artists has been only growing exponentially.
Enough contemporary artists’ practices express works of art as an analogy not merely of nature, tradition & cultural but deal speak of architecture, Archeology, Anthropology, Botanicals , Physics and Mathematics and various more subjects.
Conceptual Contemporary practices in the present Indian art context, often is a paradoxical juxtaposition of the intent of the artist to convey a particular theme or concept through uniquely individualist art practices , often too abstract for the viewer to comprehend, unless explicitly elucidated by the artist.
In this page we present to you the former practice .
Plates
Shipra Bhattacharya| She I | Oil on canvas | 30 x 34 inches | 2008 | Special Price for our patrons this festivity
INR : 285000/- + gst delivered framed
Shipra Bhattacharya’s work has dealt with women’s issues in a confrontational, yet subtle manner. While the female figure forms a central part of her work, it is more the inner consciousness of these women that the artist draws on, using bold yet soft colours and smooth brushwork. There is a mystery about each of her female protagonists – about the want of something more than what meets the eye. In her recent works, the female body becomes a site or vehicle, backing the viewer, but tattooed with icons and images that voice both fulfillment and desire.
Bhattacharya’s work borders on the sensuous. It is far from portraiture, and yet there exists an endearingly real character to each of her women. The artist combines with ease bright, bold colours and soft, curving strokes, rendering each of her paintings a mesmerizing paradox.
S. Harsha Vardhana
Born on 9th June, 1958 in New Delhi into a artists family. This self-taught artist displays his vast creative vocabulary in his heavily textured but plainly coloured canvases. Deeply influenced by tribal art and symbols, Harsha Vardhana creates abstract geometrical forms; inverted triangular structures are constructed within carefully demarcated areas of colour, which violently cut into one another – some blend in while others create obvious scars, bringing a distinctive character to the piece.
Feroz Khan
Mohammad Feroz Khan was born in 1978 and brought up in Delhi. He have not undergone any formal training in Art but gained experience first from his Father Late Mohd Ibrahim Khan, a Banner Painter. Subsequently, under the able tutelage of renowned Artist Late Manjit Bawa (Guruji – his Mentor in Art) he studied and learned Art for 14 years. Bawa took much care to train him to use brush and pastels on a variety of subjects, also guided him to savor the beauty and nuances of Texture. Then, as an initial step, his Guru guided him through a maze of depictable visuals scattered over the all too familiar places of Delhi. He asked him to draw inspiration from real life. Deferential to my master’s academic style of figuration, he soon convinced his guru of deft brushmanship and ability to create naturalistic human and animal forms, avoiding explicit linear delineation, while projecting solid masses. He chose to see the ordinary things and scenes that make up for our everyday life. He look at the little details of a tailor working on a manual sewing machine or a street-side vendor selling a cool drink on a hot summer day or rickshaw pullers or beggars and various other street vendors – denizens of the city’s poorest quarters. It is the sheer simplicity of each of these activities that appeals him and is reflected through his Canvas.
Shyam Kanu Borthakur
Born : 1954 in Naharkatiya, Assam.
Education : Graduate from Dibrugarh University, Assam in 1976. Diploma in Fine Arts, from Indian College of Arts and Draftsmanship and studied Fine Arts at College of Visual Arts, Kolkata under the tutelage of Shri Shuvaprasanna.
Exhibition Solo : Asuthosh Birth Centenary Hall, Indian Museum, Kolkata; Triveni Kala Sangam, New Delhi; Jehingir Art Gallery, Mumbai; State Art Gallery, Guwahiti; Jaloni Club, Oil India Ltd., Duliajan Assam; Dubrugarh University, Assam; Chemould Art Gallery, Kolkata; and Gallery One, Gurgaon in 2007.
Group Shows : Various galleries at Kolkata, Mumbai, New Delhi, Gurgaon, Pune, Assam, Chennai, Chandigarh and Lucknow.
Recognition : Awarded inseveral institutional exhibitions while a student. Receipent of Seniour Fellowship from the Dept.of Culture, Govt. of India; Award in Sculpture at all India Exhibition organized by Birla Academy of Art and Culture, Kolkata;Received grant from British Council, Kolkata in 2005 to visit the galleries and museums in UK and to intrect with the artists.
Shyam Kanu’s works are a part of collections of Individuals, corporate houses and institutions; They are also in the Lalit Kala Akademy, New Delhi and Chitra Kala Parisad, Bangalore.
Jagannath Paul
Style : The varied nuances of male and female relationship are manifested into his paintings through the medium of charcoals and colors on paper and canvas. He uses colours to depict relationships in different moods and emotions.
He is known for his charcoals on paper or canvas. His works bring out the drama of black and white by introducing solid blocks of paint, which are restricted to reds, yellows and orange. The contrast sets the mood of the work, highlighting the character that he paints. His skillful rendering of the female form shows an innate understanding and mastery of the subject.
INR 55000/- (Set of 2)| delivered ready to hang in lux frames
( Won’t these look so special to spruce up those empty corners or make that perfect gift )
Tapas Ghoshal
Ghoshal’s paintings weaves an Antahkaran, creating structural spaces, sometimes meditative & melancholic in nature. His contemplative mind, enters into the inner realm of reality, dissects it and extracts a kind of mystic silence.
In Hindu philosophy, the ‘Antahkaran’ refers to the totality of two levels of mind , namely the buddhi, the intellect or higher mind, and the manas, the middle levels of mind which exist as or include the mental body. It refers to the entire psychological process, including mind and emotions.
All12 x 12 inches Canvas INR.12500/- ALL in Door delivered without frame
Shyamal Mukherjee
Mukherjee’s favourite medium is reverse oil or acrylic painting on transparent acrylic sheets, and he swears that although he may change his themes and subjects, inventing new ones for new shows, he will never give up painting in this medium.
Dilip Chaudhury
Like a true artist who has not been afraid of trying his hand at almost every subject and medium under the sun, Dilip has metamorphosed into a sought – after artist with a niche skill of creating above all, subjects of abundant beauty and character with a strong sense of perspective. A touch of red in his paintings symbolises optimism. Dilip has executed truly riveting canvasses, each of which has a unique story to narrate. They are not flat but have grandeur, movement, people and therefore, life infused into them. Sometimes Dilip uses his imagination to highlight the simple rickshaw puller of Kolkata. He creates stylistic compositions from unusual angles, which succeed in enthralling the viewer.
Divyendu Anand
His conscious journey as an artist started when he found design world to be too limiting to express his abstract feelings. He developed an itch to express something deeper and meaningful.
Esoteric questions like the purpose of life, truth about existence propelled his mind towards the ideas for artistic expression. However, it took him a long journey of two decades to refine his thoughts and develop the language of expression. His artistic expressions are assimilation and essence of outer and inner experiences.
Bolgum Nagesh Goud
Nagesh Goud, largely drew his inspirations from traditional Kalamkari and Paithan art. Though the subject matter is derived from age old epics and myths the approach is very nascent. The narrative is fragmented and reconstructed to cater to his visual feast, where strong flat hues are embellished with intricate patterns and designs. This is his personal creative visual vocabulary codified and internalized in search of an innovative idiom. The colour, line and the application is a very humble uncomplicated effort, whereas the compositions display a complex schema of juxtapositions.
The imagery on the work unsurprisingly is inspired by ancient anecdotes, particularly from the Ramayana and the Mahabharata. The potent renditions of the narratives not only emerge as entirely fresh but also allow the viewer to interact with each character cognizing and decoding the web of imagery. The dramatic effects of filigree like decorative patterns, evidently show his craftsmanship. With this interesting device, Nagesh Goud diligently re-creates the age old narratives by bringing a fresh theatricality in his striking creations.
Nagesh Goud | Sculpture | Fiberglass | L: 22 H : 19 W : 8.5 inches Price Special 1,99,000/- delivered.
Tushar Kanti Das ROy
In Hindu philosophy, the ‘Antahkaran’ refers to the totality of two levels of mind , namely the buddhi, the intellect or higher mind, and the manas, the middle levels of mind which exist as or include the mental body. It refers to the entire psychological process, including mind and emotions.Ghoshal’s paintings weaves an Antahkaran, creating structural spaces, sometimes meditative & melancholic in nature. His contemplative mind, enters into the inner realm of reality, dissects it and extracts a kind of mystic silence.
Tushar Kanti Das Roy | INR 19,500/- EACH (Delivered)
Samir sarkar
For the past 25 years, acrylic colour has been the main medium for my paintings. After doing the line drawing o¬n paper or canvas, a layer of acrylic is used like tempera on it. Then slowly the subjects and people are given shape using more layers of colour. Since I use fast colour, it gives a definite brightness to the figures. My figures have a definite inspiration from Egyptian paintings, thus the figures are drawn in the same form, the cloths that they wear have long lines making them look taller and in a way Egyptian. Most of my paintings are of 42½X48½ size which takes about 100 hours.
My paintings in a way are people I live with. They give me inspiration to produce more, to experiment more and thus to create my own world with them. My world that I want the world to see.
Bhaskar Chitrakar
Other than painting patachitras, the Chitrakar community in Kalighat also made clay idols and Bhaskar continues to do so till this day – images of Durga and Kali mainly. He is also a self taught sculptor in {bre glass, having picked it up from regular visits to the Government College of Art and Craft, when he was eighteen or so. Even though he himself was not a student there, he was recognised as a fellow artist and allowed to observe. Most of the {breglass sculptures made by him and his father before him, were bought by the Swaminarayan Akshardham Mandir in Gujarat. Bhaskar would earlier depend on both clay sculpting and Kalighat painting for his livelihood. But thanks to the renown he has garnered for his art in recent years, he is able to depend more on his paintings for his living. Fortunately for him, the burden of bearing the family`s expenses is shared between his brothers and himself – giving the talented Bhaskar ample scope to focus on his remarkable art.
Bhaskar Chitrakar | Watercolour & Gouache on Paper 15×11 inches 2022 |NOW 21000 ( delivered unframed )
Sudipta Kundu
Nayanaa Kanodia
Sanatan Dinda
Gouranga Beshai
Sangeeta Singh
Rajib Bhattacharjee
Subrata Gangopadhyay
Rajiba Lochan pani & Farhad Hussain
Kapil Anant
Dinkar Jadhav
Suman Roy
Madhu Basu
Prasanta Sahu
Price : 112000/- Now Set of 3 for 51000 /- Delivered .
P. Suresh Kumar
Ashoke Mullick
Jiban Biswas
Dilip Oinum
Yugal Kishore Sharma
Paramesh Paul
Mehjabin Majumdar & Sekhar Kar
Pintu Sikder
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