| Medium | : | Brass, Wood |
|---|---|---|
| Height | : | 24 inch / 61 cm |
| Width | : | 93 inch / 236.2 cm |
| Depth | : | 22 inch / 55.9 cm |
| Dimension | : | W: 236.2 cm × H: 61 cm |
| Year | : | 2026 |
This sculptural bench explores the intersection of geometry, material warmth, and quiet growth. Composed of layered pinewood ribs, the form emerges from a parametric logic where repetition becomes rhythm and structure becomes surface. Each contour is generated through incremental variation — a choreography of slices that transforms a digital gesture into a tactile landscape. At its core, the bench is not merely an object of rest but a spatial experience. The flowing topology invites pause, guiding the body along a continuous curve that dissolves the boundary between furniture and sculpture. The tactile grain of pinewood lends warmth and familiarity, grounding the computational form in a natural material memory. Emerging from the heart of the structure is a delicate brass tree — a quiet but deliberate intervention. Unlike the organic unpredictability of nature, this tree is rendered in metal, symbolising permanence within growth and stillness within motion. It acts as both anchor and metaphor: a reminder that life persists even within engineered geometries. The contrast between soft wood and reflective brass creates a dialogue between time scales — the ephemeral and the enduring, the handtouched and the machine-shaped. While the bench embodies fluid continuity, the tree introduces a moment of vertical interruption — a pause within flow.
The Golden Arc Bench | Wood & Brass | H 24 x W 93 × D 22 inches
This sculptural bench explores the intersection of geometry, material warmth, and quiet growth. Composed of layered pinewood ribs, the form emerges from a parametric logic where repetition becomes rhythm and structure becomes surface. Each contour is generated through incremental variation — a choreography of slices that transforms a digital gesture into a tactile landscape. At its core, the bench is not merely an object of rest but a spatial experience. The flowing topology invites pause, guiding the body along a continuous curve that dissolves the boundary between furniture and sculpture. The tactile grain of pinewood lends warmth and familiarity, grounding the computational form in a natural material memory. Emerging from the heart of the structure is a delicate brass tree — a quiet but deliberate intervention. Unlike the organic unpredictability of nature, this tree is rendered in metal, symbolising permanence within growth and stillness within motion. It acts as both anchor and metaphor: a reminder that life persists even within engineered geometries. The contrast between soft wood and reflective brass creates a dialogue between time scales — the ephemeral and the enduring, the handtouched and the machine-shaped. While the bench embodies fluid continuity, the tree introduces a moment of vertical interruption — a pause within flow.
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