| Medium | : | Mixed Media |
|---|---|---|
| Surface | : | Paper |
| Height | : | 14 inch / 35.6 cm |
| Width | : | 10 inch / 25.4 cm |
| Style | : | Figurative Drawings, Figurative Paintings |
| Dimension | : | W: 25.4 cm × H: 35.6 cm |
| Year | : | 1997 |
Manu Parekh’s Untitled (1997) presents a striking frontal face built from expressive lines, charcoal-like textures and warm touches of ochre and pink. The intensely worked eyes, nose and mouth give the figure a strong psychological presence, while the loose contours and layered marks retain the spontaneity of a drawing. The work feels deeply human—raw, intimate and contemplative—reflecting Parekh’s ability to transform the face into an expression of emotion rather than simply a portrait.
Manu Parekh | Untitled | Mixed Media on Paper | 10 x 14 inches | 1997
Manu Parekh’s Untitled (1997) is an intimate and intensely expressive mixed-media work on paper, centred on a large frontal human face. The figure emerges through layers of charcoal-like marks, earthy ochres, warm pinks and deep black lines, creating a powerful sense of both physical presence and inner emotion. Parekh’s characteristic use of vigorous, searching lines gives the face an almost restless energy, while the heavily worked eyes, nose and mouth become the focal points of the composition. The broad areas of pink and ochre soften the otherwise dark and raw surface, adding warmth and a human vulnerability to the portrait. Rather than pursuing conventional likeness, Parekh allows the face to become a vehicle for mood and psychological intensity. The loosely drawn contours and overlapping marks make the work feel immediate and spontaneous, as though the image has emerged directly from the artist’s encounter with the subject. Its small 10 × 14 inch format adds to the intimacy of the work, making this a compelling example of Parekh’s deeply human and expressive approach to the figure.
Manu Parekh’s paintings on the infamous Bhagalpur blindings in 1980 reveal his deep response to humanity, in much the same way as Guernica was picasso’s response to the horrors of war.
Born in Ahmedabad, Gujarat, Manu Parekh studied at Sir J. J. School of Art, Bombay. With influences as varied as Arshile Gorky, Roberto Matta, S. B. Palsikar and Rabindranath Tagore, Parekh has always sought to explore his inner landscape through art.
Perhaps best known for his Banaras series, Parekh’s works are characterised by his intuitive use of colour, bold brushstrokes, and prominent lines. He has experimented with colourful abstractions, sexual imagery, and figuration, responding as much to nature as to daily life and social issues. The women in his works are represented as nature spirits, plant forms, germinating seeds and allegorical figures, recalling mythological traditions.
Stage designer, art designer, actor and artist, Manu Parekh brings diverse perspectives to his work. Craft has been a long-term interest and association with the Weavers’ Service Centre as a consultant designer gave him the opportunity to work with craftsmen. He has travelled widely across India studying the indigenous techniques and styles of folk artists.
Parekh received the President of India’s silver plaque and the All India Fine Arts and Crafts Society’s award in 1972, and the national award of the Lalit Kala Akademi, New Delhi, in 1982. In 1992, he was honoured with the Padma Shri by the Government of India. His retrospective show at National Gallery of Modern Art also travelled to Mumbai and Bengaluru. He lives and works in New Delhi along with his artist wife, Madhvi Parekh.
If you’d prefer the artwork to arrive ready to hang, please get in touch with us to arrange framing and shipping at applicable charges.
Please note: Customs duties and import taxes may apply at your destination in accordance with your country’s regulations. Refer to our International Shipment document for guidance and support.
| Medium | |
|---|---|
| Surface | |
| Height | |
| Width | |
| Style |
