Babu Bibi

Medium:Tempera
Height:22 inch / 55.9 cm
Width:28 inch / 71.1 cm
Surface:Board
Style:Figurative Paintings
Dimension:W: 71.1 cm × H: 55.9 cm
Year:2015

Through fine details such as the Babu’s iconic round spectacles, neat kurta, and draped dhoti, paired with the Bibi’s classic sari, gold jewelry, and sculpted hair motif, Shaw captures the refined leisure, quiet romance, and gentle satire of urban Bengali gentility (bhadralok culture) with remarkable stillness and charm.

Description

Lalu Prasad Shaw | Babu Bibi | Tempera on Board | 28 × 22 inches | 2015

This 28 × 22 inch tempera on board work by Lalu Prasad Shaw (b. 1937) stands as an iconic example of his celebrated Babu & Bibi series. Drawing inspiration from traditional Kalighat patachitra, Indian miniature traditions, and 19th-century Company School portraiture, Shaw distills these influences into a modern graphic aesthetic characterized by crisp contours, elegant lines, and flat, saturated planes of color. Set against a striking red backdrop that generates immediate visual warmth, the composition depicts a stylized Bengali couple, a Babu and Bibi, standing in profile while delicately holding white blossoms up to their noses. Through fine details such as the Babu’s iconic round spectacles, neat kurta, and draped dhoti, paired with the Bibi’s classic sari, gold jewelry, and sculpted hair motif, Shaw captures the refined leisure, quiet romance, and gentle satire of urban Bengali gentility (bhadralok culture) with remarkable stillness and charm.

Born in Suri Bengal, in 1937, Lalu Prasad Shaw obtained a Diploma in Painting from the Government College of Art and Craft, Calcutta, in 1959.
Despite training in Company School art, traditional Kalighat pats and Ajanta cave frescos, Shaw evolved his distinctive style to work in watercolours and oil. His teachers were some of the leading artists of the time, such as Gopal Ghose, Rathin Maitra, and Maniklal Banerjee.
In the 1970s, Shaw mastered the genre of graphics — initiated by the Society of Contemporary Artists — expressing it through the abstract form. Shaw experimented with the two-dimensional, geometric and non-figurative, as is evident in his lithographs.

Unlike his prints, Shaw’s paintings are charged with nostalgia and are object-specific. His brooding characters — men, women, and children — seem frozen into a kind of quiescent gesture; they are formal and speechless, but still expressive. Drawing from Mughal miniatures and adhering largely to profiles framed within borders along the edges, Shaw depicts faces of ordinary people, emphasising their physical characteristics. He has also experimented with landscapes, appearing to merge the urban and rural visual in styles ranging from the minimalist to cubist-inspired. His confident use of broad blocks of colours placed harmoniously is seen here too.
Shaw has exhibited extensively in India and abroad and his works form part of national and international collections. He has received prestigious awards like the West Bengal Lalit Kala Akademi award, the national award of the Lalit Kala Akademi, and the Birla Academy award. He lives and works in Kolkata.


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