| Medium | : | Tempera |
|---|---|---|
| Height | : | 25 inch / 63.5 cm |
| Width | : | 20.5 inch / 52.1 cm |
| Surface | : | Board |
| Style | : | Figurative Paintings |
| Dimension | : | W: 52.1 cm × H: 63.5 cm |
| Year | : | 2018 |
Bibi by Lalu Prasad Shaw is a serene tempera painting depicting a seated woman beside a gramophone. With its clean lines, flat colors, and folk-inspired style, the work evokes quiet introspection and nostalgic charm.
Lalu Prasad Shaw | Bibi | Tempera on Board | 24 x 18 inches | 2018
This refined tempera painting titled Bibi by Lalu Prasad Shaw beautifully captures a moment of quiet introspection within a domestic setting. The composition presents a seated woman in profile, dressed in a patterned blouse and a striped sari, her posture poised and contemplative. The figure’s elongated features, stylized form, and minimal facial expression are hallmarks of Shaw’s distinctive visual vocabulary.
Positioned beside her is a vintage gramophone, an object that introduces a subtle narrative layer — perhaps evoking memory, nostalgia, or the intimate presence of music in everyday life. The contrast between the woman’s stillness and the implied sound of the gramophone creates a gentle tension within the scene. The flat teal background enhances the clarity of form, allowing the figure and objects to stand out with striking simplicity.
Shaw’s precise line work and controlled palette — dominated by earthy reds, muted greens, and warm yellows — reflect his deep engagement with Indian folk aesthetics, while maintaining a modern compositional balance. The tempera medium lends a smooth, matte finish, reinforcing the artwork’s calm, timeless quality. This piece is a poetic portrayal of solitude, routine, and inner reflection.
Born in Suri Bengal, in 1937, Lalu Prasad Shaw obtained a Diploma in Painting from the Government College of Art and Craft, Calcutta, in 1959.
Despite training in Company School art, traditional Kalighat pats and Ajanta cave frescos, Shaw evolved his distinctive style to work in watercolours and oil. His teachers were some of the leading artists of the time, such as Gopal Ghose, Rathin Maitra, and Maniklal Banerjee.
In the 1970s, Shaw mastered the genre of graphics — initiated by the Society of Contemporary Artists — expressing it through the abstract form. Shaw experimented with the two-dimensional, geometric and non-figurative, as is evident in his lithographs.
Unlike his prints, Shaw’s paintings are charged with nostalgia and are object-specific. His brooding characters — men, women, and children — seem frozen into a kind of quiescent gesture; they are formal and speechless, but still expressive. Drawing from Mughal miniatures and adhering largely to profiles framed within borders along the edges, Shaw depicts faces of ordinary people, emphasising their physical characteristics. He has also experimented with landscapes, appearing to merge the urban and rural visual in styles ranging from the minimalist to cubist-inspired. His confident use of broad blocks of colours placed harmoniously is seen here too.
Shaw has exhibited extensively in India and abroad and his works form part of national and international collections. He has received prestigious awards like the West Bengal Lalit Kala Akademi award, the national award of the Lalit Kala Akademi, and the Birla Academy award. He lives and works in Kolkata.
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