Untitled

Medium:Pastel
Height:16 inch / 40.6 cm
Width:23 inch / 58.4 cm
Dimension:W: 58.4 cm × H: 40.6 cm

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This striking pastel work by Rabin Mondal from 1981 showcases his signature expressionist style. The abstracted female figure, rendered in vibrant strokes of blue, red, and purple, exudes emotional intensity and inner turmoil. Angular forms and exaggerated contours reflect both physical and psychological tension, set against a vivid green backdrop that enhances the drama. The piece powerfully captures themes of solitude and resilience through bold color and form.

Description

Rabin Mondal | Untitled | Pastel on Paper | 16 x 23 inches | 1981

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This expressive pastel work by Rabin Mondal, dated 1981, is a striking example of his deeply emotive and psychologically charged style. The figure, rendered in bold, slashing strokes of vibrant purples, blues, and reds, exudes a sense of inner turmoil and existential weight. Although abstracted, the posture of the figure—hunched and introspective—speaks volumes about vulnerability, despair, or contemplation. Mondal’s use of angular forms and a fractured cubist-like structure adds to the visual tension, while the textured background in luminous green provides an almost surreal contrast to the anguish embodied in the subject. His figures often emerge as silent screamers—muted witnesses to personal and societal suffering, and this piece powerfully aligns with that theme. The technique here, while dynamic and rough, reveals incredible control, with every stroke contributing to the emotional density of the image.

Rabin Mondal was inspired by primitive and tribal art, its potent simplifications and raw energy.
The son of a mechanical draughtsman, Rabin Mondal took to drawing and painting at the age of twelve when he injured his knee and was confined to bed.
The Bengal famine of 1943 and the Calcutta communal riots of 1946 deeply impacted his psyche; he joined the Communist Party and became an activist. Mondal’s final refuge was art as the ultimate weapon of protest.
Mondal’s figuration derived from a growing abhorrence towards mankind’s moral decay in all spheres of life. The cubo-futuristic angularities of forms within the pictorial space arranged around them evolved into a series of paintings depicting highly distinct human figures that struggled to live a hero’s life in a mocking but tragic world.
Mondal’s images have a deeply felt iconic appearance. The series Queen, King, Man represent figures that are static, totemic, tragicomic, ruthlessly shattered and ruined. Having subverted the classical canons of harmony and beauty, Mondal evolved a vocabulary to express his anguish and rage towards decadence in society. The expressionistic use of splattered colours and the bold application of black are part of that vocabulary.
Beginning his career as an art teacher, with a stint as an art director in films, he was a founder member of Calcutta Painters in 1964, and from 1979-83 a general council member of Lalit Kala Akademi, New Delhi. He passed away in Kolkata on 2 July 2019.

Shipment DetailsThis artwork will be shipped unframed, either in roll form or flat, depending on its requirements—at no additional cost.

If you’d prefer the artwork to arrive ready to hang, please get in touch with us to arrange framing and shipping at applicable charges.

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