| Medium | : | Acrylic |
|---|---|---|
| Height | : | 10 inch / 25.4 cm |
| Width | : | 13 inch / 33 cm |
| Dimension | : | W: 33 cm × H: 25.4 cm |
A lyrical watercolour by Shyamal Dutta Ray depicting a contemplative female figure holding a ritual offering against an abstracted, temple-like cityscape, evoking themes of devotion, memory, and inner light.
Shyamal Dutta Ray | Untitled | Watercolour on Paper | 10 x 13 inches | 2003
This evocative watercolour by Shyamal Dutta Ray presents a contemplative female figure in profile, standing at the threshold between the inner self and the vast, resonant cityscape behind her. Rendered in layered washes of burnt ochres, deep blues, and muted greys, the painting evokes an atmosphere heavy with memory and ritual. The woman gently cups a small offering — suggestive of a diya or ritual flame — held close to her chest, becoming a quiet locus of warmth and devotion amid the surrounding urban expanse. The background, composed of densely packed architectural forms reminiscent of temple spires or an ancient city, dissolves into abstraction, merging structure with emotion rather than precise geography. Dutta Ray’s expressive line work and textured surfaces create a sense of timeworn continuity, where the human figure appears both fragile and enduring. The interplay of light and shadow suggests an inner illumination, positioning the woman as a silent witness to history, faith, and lived experience. Overall, the painting reflects the artist’s characteristic engagement with human introspection, ritual, and the metaphysical presence of place.
Laden with satire and wit, and often subtly political, Shyamal Dutta Ray’s work communicated his preoccupation with the human condition.
Among the most accomplished watercolourists of modern India, he was born in Ranchi, then in Bihar, and studied at Government College of Arts and Crafts, Calcutta, from 1950-55. He was a founding member of Society of Contemporary Artists in 1959, and of Painters 80, founded in 1968.
Dutta Ray suffered from severe ill-health while growing up and witnessed the horrors of the 1943 Bengal famine as a child, both of which impacted his life and art tremendously. He began his career working in oil but had to switch to watercolour on medical advice as he was allergic to oil paints. Dutta Ray became a master of the demanding medium of watercolour and brought about a major development in its application by using saturated hues instead of the diluted colours prevalent among his contemporaries. He painted the contradictory contemporary reality of Calcutta, filled with sorrow, poverty, despair, as also happiness, and hope.
The masterful depiction of pathos in watercolours won him several awards within India and abroad including the gold medal of Academy of Fine Arts, Calcutta, in 1958, the Rabindra Bharati University award in 1968, several annual awards of the Birla Academy of Art and Culture, Calcutta, Lalit Kala Akademi’s national award in 1982, and the Karnataka Chitrakala Parishath award and the Shiromani Puraskar, both in 1988. He passed away in 2005.
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