| Medium | : | Acrylic |
|---|---|---|
| Height | : | 10.75 inch / 27.3 cm |
| Width | : | 13 inch / 33 cm |
| Dimension | : | W: 33 cm × H: 27.3 cm |
An evocative watercolour by Shyamal Dutta Ray depicting a contemplative archer-like figure set against a weathered monumental arch, exploring themes of memory, vulnerability, and the passage of time.
Shyamal Dutta Ray | Untitled | Watercolour on Paper | 10.75 x 13 inches | 2003
This compelling watercolour by Shyamal Dutta Ray juxtaposes the vulnerability of the human form with the enduring presence of architectural history. In the foreground stands a slender, introspective figure, rendered with expressive, almost skeletal linearity, holding a curved bow that suggests both tension and quiet resolve. The figure’s downcast gaze and enclosed posture convey introspection rather than action, transforming the bow into a symbolic rather than literal weapon. Behind him rises a monumental arched gateway, weathered and timeworn, evoking the remnants of a forgotten civilisation or a passage between past and present. The background dissolves into a layered cityscape, painted in fragmented washes of blues, ochres, and greys, creating a sense of depth infused with memory and erosion. Dutta Ray’s characteristic use of broken surfaces, overlapping planes, and rhythmic brushstrokes imbues the composition with a meditative stillness, where history, myth, and human fragility coexist. The painting resonates as an allegory of endurance—of the solitary human spirit standing before the vastness of time, ruin, and collective memory.
Laden with satire and wit, and often subtly political, Shyamal Dutta Ray’s work communicated his preoccupation with the human condition.
Among the most accomplished watercolourists of modern India, he was born in Ranchi, then in Bihar, and studied at Government College of Arts and Crafts, Calcutta, from 1950-55. He was a founding member of Society of Contemporary Artists in 1959, and of Painters 80, founded in 1968.
Dutta Ray suffered from severe ill-health while growing up and witnessed the horrors of the 1943 Bengal famine as a child, both of which impacted his life and art tremendously. He began his career working in oil but had to switch to watercolour on medical advice as he was allergic to oil paints. Dutta Ray became a master of the demanding medium of watercolour and brought about a major development in its application by using saturated hues instead of the diluted colours prevalent among his contemporaries. He painted the contradictory contemporary reality of Calcutta, filled with sorrow, poverty, despair, as also happiness, and hope.
The masterful depiction of pathos in watercolours won him several awards within India and abroad including the gold medal of Academy of Fine Arts, Calcutta, in 1958, the Rabindra Bharati University award in 1968, several annual awards of the Birla Academy of Art and Culture, Calcutta, Lalit Kala Akademi’s national award in 1982, and the Karnataka Chitrakala Parishath award and the Shiromani Puraskar, both in 1988. He passed away in 2005.
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