| Medium | : | Acrylic |
|---|---|---|
| Height | : | 41 inch / 104.1 cm |
| Width | : | 30.5 inch / 77.5 cm |
| Surface | : | Canvas |
| Style | : | Figurative Paintings, Mythological Paintings |
| Dimension | : | W: 77.5 cm × H: 104.1 cm |
| Year | : | 2004 |
The painting is filled with Karmakar’s characteristic sense of colour and decorative detail. Shiva’s cool blue-grey form contrasts beautifully with Parvati’s warm orange complexion and vivid pink sari, while the bright yellow background gives the entire composition an almost luminous quality. Their expressive eyes, flowing hair, jewellery, clothing, and carefully rendered objects add a playful richness to the scene.
Prokash Karmakar | Untitled | Acrylic on Canvas | 41 x 30.5 inches | 2004
This vibrant acrylic painting by Prokash Karmakar, created in 2004, brings together Lord Shiva and Goddess Parvati in a warm, intimate moment drawn from Hindu mythology. Rather than presenting the divine figures in a distant or formal manner, the artist gives them a wonderfully human presence. Shiva sits calmly with his trident beside him, while Parvati is shown preparing food, creating a scene that feels familiar, affectionate, and rooted in everyday life.
The painting is filled with Karmakar’s characteristic sense of colour and decorative detail. Shiva’s cool blue-grey form contrasts beautifully with Parvati’s warm orange complexion and vivid pink sari, while the bright yellow background gives the entire composition an almost luminous quality. Their expressive eyes, flowing hair, jewellery, clothing, and carefully rendered objects add a playful richness to the scene.
What makes the work especially appealing is the way the sacred and the ordinary come together. The bowls of food, Parvati’s gentle gesture, Shiva’s relaxed posture, and their expressive faces make the divine couple feel remarkably approachable.
Prokash Karmakar’s art emerged from a contemplation of life, through the prism of personal traumatic experiences intermingled with dark moments in india’s recent history.
He learnt painting at his father, artist-teacher Prahlad Karmakar’s atelier, till the socio-political turmoil of the 1940s and his father’s early death put an end to it.
After his matriculation, Karmakar joined Government College of Arts and Crafts, Calcutta, but quit soon thereafter for reasons of poverty. In between, he designed book covers and worked as an illustrator for his livelihood; he even joined the army but absconded after two years, driven by his desire to paint.
Karmakar learnt the techniques of transparent and opaque watercolours from Kamalaranjan Thakur, a former student of his father, and Dilip Das Gupta. However, it was senior artist Nirode Majumdar—once a student of Abanindranath Tagore—who acquainted Karmakar with artistic and philosophical concepts, techniques, coherence of lines, and the breaking of form. Majumdar had recently returned from France after a stay of twelve years, and shared his rich experience with his protégé.
Karmakar held his first exhibition in 1959 on the railings of Indian Museum, Calcutta. In 1969-70, Karmakar visited France on a fellowship to study art museums, an inspiring exposure for the expressionist artist who, being ‘primarily a colourist’, began to create his figurative monochrome paintings in the 1970s. He won the Lalit Kala Akademi’s national award in 1968, and his work is part of important collections globally.
He passed away on 24 February 2014.
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