| Medium | : | Ink |
|---|---|---|
| Height | : | 15.5 inch / 39.4 cm |
| Width | : | 11.5 inch / 29.2 cm |
| Dimension | : | W: 29.2 cm × H: 39.4 cm |
| Year | : | 1933 |
Laughing Cow by Prokash Karmakar is an expressive ink-on-paper work featuring a stylized, almost mythical bovine form crowned with a crescent moon. This line-driven composition blends symbolism, humor, and modern expression with striking simplicity.
Prokash Karmakar | Laughing Cow | Ink on Paper | 15.5 x 11.5 inches | 2006
Playful, symbolic, and deeply expressive, Laughing Cow by Prokash Karmakar (2006) transforms a familiar animal form into a powerful visual statement. Rendered in ink on paper, the composition is built with confident, flowing lines that give the cow an almost mythical presence. The crescent moon resting above its head and the ornamental detailing along the forehead introduce a subtle spiritual undertone, blending folk memory with modern expression.
Karmakar’s line work is both spontaneous and controlled. The elongated face, patterned contours, and gently exaggerated features create a sense of personality—this is not merely an animal portrait, but a character filled with emotion and quiet wit. The title Laughing Cow adds a layer of irony and warmth, inviting viewers to engage with the work beyond its surface simplicity.
This ink-on-paper artwork captures the artist’s distinctive ability to merge abstraction, symbolism, and narrative in a minimal yet impactful composition. A compelling addition for collectors who appreciate modern Indian masters and works that balance humor with depth.
Prokash Karmakar’s art emerged from a contemplation of life, through the prism of personal traumatic experiences intermingled with dark moments in india’s recent history.
He learnt painting at his father, artist-teacher Prahlad Karmakar’s atelier, till the socio-political turmoil of the 1940s and his father’s early death put an end to it.
After his matriculation, Karmakar joined Government College of Arts and Crafts, Calcutta, but quit soon thereafter for reasons of poverty. In between, he designed book covers and worked as an illustrator for his livelihood; he even joined the army but absconded after two years, driven by his desire to paint.
Karmakar learnt the techniques of transparent and opaque watercolours from Kamalaranjan Thakur, a former student of his father, and Dilip Das Gupta. However, it was senior artist Nirode Majumdar—once a student of Abanindranath Tagore—who acquainted Karmakar with artistic and philosophical concepts, techniques, coherence of lines, and the breaking of form. Majumdar had recently returned from France after a stay of twelve years, and shared his rich experience with his protégé.
Karmakar held his first exhibition in 1959 on the railings of Indian Museum, Calcutta. In 1969-70, Karmakar visited France on a fellowship to study art museums, an inspiring exposure for the expressionist artist who, being ‘primarily a colourist’, began to create his figurative monochrome paintings in the 1970s. He won the Lalit Kala Akademi’s national award in 1968, and his work is part of important collections globally.
He passed away on 24 February 2014.
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