| Medium | : | Ink |
|---|---|---|
| Height | : | 14.5 inch / 36.8 cm |
| Width | : | 10.5 inch / 26.7 cm |
| Dimension | : | W: 26.7 cm × H: 36.8 cm |
A powerful 2000 ink-on-paper work by Shyamal Dutta Roy depicting the crucified Christ through raw, fractured lines, expressing themes of suffering, sacrifice, and existential intensity.
Shyamal Dutta Ray | Christ | Ink on Paper | 14.5 x 10.5 inches | 2000
This poignant ink-on-paper work by Shyamal Dutta Roy (2000) presents a stark and emotionally charged depiction of the crucified Christ, rendered through the artist’s characteristic raw and expressive line. The figure is reduced to an elongated, skeletal form, suspended on the cross with arms outstretched, its anatomy fractured by jagged contours, broken lines, and splintered marks. Roy’s use of sparse black ink against the bare paper creates a haunting sense of vulnerability and isolation, while splatters and abrasions suggest both physical suffering and spiritual anguish. The absence of descriptive detail and the emphasis on distortion transform the biblical subject into a universal symbol of pain, sacrifice, and endurance. The composition’s vertical thrust, coupled with the rough, almost violent handling of line, conveys a sense of tension and fragility, as if the figure is on the verge of dissolution. Rather than offering devotional solace, the work confronts the viewer with an existential image of human suffering, reflecting Roy’s deep engagement with themes of trauma, faith, and the fragility of the human condition.
Laden with satire and wit, and often subtly political, Shyamal Dutta Ray’s work communicated his preoccupation with the human condition.
Among the most accomplished watercolourists of modern India, he was born in Ranchi, then in Bihar, and studied at Government College of Arts and Crafts, Calcutta, from 1950-55. He was a founding member of Society of Contemporary Artists in 1959, and of Painters 80, founded in 1968.
Dutta Ray suffered from severe ill-health while growing up and witnessed the horrors of the 1943 Bengal famine as a child, both of which impacted his life and art tremendously. He began his career working in oil but had to switch to watercolour on medical advice as he was allergic to oil paints. Dutta Ray became a master of the demanding medium of watercolour and brought about a major development in its application by using saturated hues instead of the diluted colours prevalent among his contemporaries. He painted the contradictory contemporary reality of Calcutta, filled with sorrow, poverty, despair, as also happiness, and hope.
The masterful depiction of pathos in watercolours won him several awards within India and abroad including the gold medal of Academy of Fine Arts, Calcutta, in 1958, the Rabindra Bharati University award in 1968, several annual awards of the Birla Academy of Art and Culture, Calcutta, Lalit Kala Akademi’s national award in 1982, and the Karnataka Chitrakala Parishath award and the Shiromani Puraskar, both in 1988. He passed away in 2005.
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| Style | Figurative Drawings, Figurative Paintings, Mythological Drawings, Mythological Paintings |
