A beautifully stylized monochrome artwork featuring blooming foliage in a decorative vase. With bold contours, folk-inspired detailing, and expressive organic forms, the piece brings together simplicity, movement, and timeless artistic charm.
This striking black-and-white artwork captures the quiet poetry of everyday life through a stylized floral arrangement placed inside a patterned earthen vase. The composition feels deeply rooted in folk-inspired aesthetics, where bold outlines, simplified forms, and rhythmic detailing create a sense of movement and personality. The elongated leaves and blooming flower appear almost animated, bending gracefully as though responding to an unseen breeze.
The artist transforms an ordinary still-life subject into something expressive and emotionally engaging. The hand-drawn quality of the lines adds warmth and intimacy, while the monochrome palette enhances the artwork’s graphic charm and timeless appeal. Decorative motifs on the vase and dotted textures throughout the composition introduce a playful visual rhythm, making the piece both elegant and approachable.
Perfect for modern, minimalist, or eclectic interiors, this artwork celebrates simplicity, nature, and artistic spontaneity. Its balance of boldness and delicacy makes it an eye-catching addition to living rooms, creative spaces, galleries, or curated art collections.
Born on 15 February, 1939 in Faridpur (now in Bangladesh), Jogen Chowdhury’s family moved to Calcutta following the partition.
Chowdhury studied art at the Government College of Art and Crafts, Calcutta, and subsequently at École Nationale Supérieure des Beaux-Arts, Paris. A student of Prodosh Das Gupta, Chowdhury worked in the expressionist style of figuration in his early years. He created his own gallery of the grotesque, featuring lewd men with bellies like sacks and women with loose, hanging breasts. The Paris sojourn sharpened his creative thought process, helping in the evolution of his distinctive personal style.
Chowdhury interprets the human form through the x-ray vision of his creativity: attenuated, exaggerated, fragmented, reconfigured, and rephrased. For Chowdhury, the body has to communicate in silence. Often placing his figures against a vacant background, he does not appropriate the specificity of place or environment; instead, he transfers feelings of anguish on to his figures through gestural mark-making. His dense, crosshatched lines simulate body hair and a web of veins takes away the smooth sensuality of the classical body to manifest the textures of life.
Chowdhury believes art in India is neither subsumed in the miniature traditions nor in those of Ajanta, for India is neither a monolith nor a static entity; and that a notion of Indianness should not be fixed into some kind of timeless loop. He has been awarded the Madhya Pradesh government’s Kalidas Samman, and was honoured at the 2nd Havana Biennale. He lives and works in Kolkata and Santiniketan.
Shipment DetailsThis artwork will be shipped unframed, either in roll form or flat, depending on its requirements—at no additional cost.
If you’d prefer the artwork to arrive ready to hang, please get in touch with us to arrange framing and shipping at applicable charges.
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